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Street
Re-Performance: Practicing Realtime Soundscape Composition
(2003). [Stephan Moore, Scott Smallwood]
This paper describes a series of street
performances which result in an unusual exchange between
performer, audience, and environment. (Published in the
Proceedings of the 2003 Conference "Acoustic Ecology: An
International Symposium", presented at Victorian College of
the Arts, Melbourne, Australia. March 20, 2003).
[
pdf ]
Polyrhythmic
Texture Derivations of Time-Lapsed Field Recordings (2001).
[Scott Smallwood]
This paper
describes some thoughts and compositional ideas associated
with the CD project Tempus
Fugit (Published in the Proceedings of the "Sound
without Instruments? Sound without Walls?" Conference,
presented at DeMontfort University, Leicester, UK. June 21,
2001).
[ pdf ]
"Pan Life":
Transformation in Trinidadian-American Steelband Culture
(1997). [Scott Smallwood]
This paper is an ethnographic study of the steelband
culture on the East Coast of America, with specific weight
given to the Baltimore area. (Presented at the
Middle-Atlantic Chapter of the Society of Ethnomusicology
Annual Meeting. SUNY Stonybrook, Feb. 22, 1997).
[
pdf ]
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Thoughts on Field Recording
as a Catalyst for Improvised Concert Music (2004). [Scott Smallwood]
This paper describes a process for generating
improvisational structures in concert music pieces for acoustic instrumental
ensembles through the practice and analysis of field recording. Submitted to
the faculty of the music department as part of first-year doctoral study at
Princeton.
[ pdf
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Orchestras of Steel: Local Phenomenon,
National Movement, International Intrigue (2005). [Scott Smallwood]
In this paper, I describe the Trinidadian Steelband movement as a local phenomenon with
international implications. Discussed also is Mark Slobin's super/sub/inter-cultural model for
describing cultures of muisc. Submitted to the faculty of the music department as part of
second-year doctoral study at Princeton.
[ pdf ]
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