Puterbaugh: Table of Contents


		Table of Contents I. Traditional Approaches to Timbre Physical Attributes of Instrumental Tones Preliminary Definitions Harmonics Formants Time-Domain Envelope Modulation Analysis and Synthesis Studies: 1862 - 1969 Helmholz Bartholomew James Olson Tenney Beauchamp Risset and Mathews Perceptual Correlates of Timbre: 1970 - Present Similarity Studies Multidimensional Scaling Plomp Gordon and Grey McAdams et al Verbal Attributes von Bismark Yankovskii Other Approaches to Timbre L’objet Sonore Ecological Approach Timbre Analogies: Wessel and McAdams Slawson’s Sound Color II. Acoustic Attributes of Timbre Physical Description of the Double Bass Physical Description of the Voice Acoustic Analysis of Double Bass and Voice Time Envelope Fundamental Frequency Spectral Content Spectral Envelope III. Defining and Quantifying Timbre Definitional Vagueness Determining and Quantifying Features Voice Quality Psychophysics Multidimensional Scaling Studies Categorization with Features IV. Auditory Models and Monaural Phase Perception Auditory Models for Timbral Analysis The Auditory System Spectro-temporal Models Applying Spectro-temporal Models to Timbre Monaural Phase Experiments Sinusoidal Modeling Pilot Studies Future Research Directions V. Four Pieces of Musical Timbre The Space of Timbre Sonopoietic Space Sonopoietic Images The Place of Listening Audiogenic Images Ecological Strategies and Sono-poietic Space Timbre Pieces Piece One - from there Piece Two - nasal lines Piece Three - the convergence Piece Five - portraits of a wire
	Copyright © 1999 John Puterbaugh
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