Line and Shadow (2008), for small orchestra, commissioned by the Riverside Symphonia, pub. Carl Fischer
Six Preludes for Guitar (2007=8), pub. Carl Fischer
Travel Diary (2007) for two percussionists, commissioned by the Meehan Perkins Duo, pub. Carl Fischer
Shapeshifters (2006-07) for two pianos and orchestra, written for Quattro Mani and the Alabama Symphony pub. Carl Fischer
Pieces of Advice (2006) five movements for Horn and Piano, written for Bill Purvis and Mihae Lee, pub. Carl Fischer
Songs of Parting (2006), Baritone, Percussion, Guitar, written for Crazy Jane, pub. Carl Fischer
Chatter of Pins (2006), electronic, text, pub.grimtim music, recording Bridge Records
Sharp Songs (2006/2007), SATB, written for Hobart and Smith Colleges, pub. Carl Fischer
Composition Project for Seniors (2006), electronic, GrimTim Music, recording Bridge Records
A Guy Walks Into A Modal Bar (2006), electronic-interactive, for 5 laptops, GrimTim Music, 1st performance, 4/4/06, Princeton University
It All Adds Up (2005), suite in six movements for two pianos, written for Quattro Mani, pub. Carl Fischer, 1st performance Quattro Mani, Weil Hall, 2/19/06
It All Adds Up (2005), suite in six movements for solo piano, pub. Carl Fischer 1st perf. Lisa Moore, Greenwich House, 11/6/06
Threads (2005) , for percussion quartet, written for So Percussion, pub. Carl Fischer , 1st perf, So Percussion, Princeton University, 4/8/06
Minor Alterations (2005), for el. gt, vln, bsn, drumset, written for Clogs, pub. Carl Fischer , 1st perf, Clogs, Princeton University, 4/11/06
The Joy of F Sharp Minor (2005) , electronic, GrimTim Music , recording Bridge Records
Ancient Echoes (2005), for perc, vln, vcl, clar, piano, digital delay, written for 8th BlackBird, pub. Carl Fischer 1st perf. 8th BlackBird, Univ of Richmond, 11/05
Etudes and Parodies, for French Horn, Violin and Piano, 2004, Editions New Rochelle, first perf. Wm. Purvis, M Lee, C Macomber, Princeton Univ, 9/28/04, Recording: Bridge Records
Ricercare Plus, for string quartet, (2 additional mvts for Ricerare, 2000), 2004, first performance, Brentano Qtte, Princeton University, 9/28/04, recording: Bridge Records , pub: Carl Fischer
The Dust Bunny, animated cartoon, with Grady Klein and Ted Coffey 2004 , available here
A is For..., arrangement for clar, el guit,vibs,vcl, piano, speaker, GrimTim Music, 2004, written for Bang on a Can Allstars, first performance, North Adams Mass, 7/24/04, pub. Carl Fischer
Folk Tropes, SATB, poems by Jonathan Greene, 2003/2007, first perf. Synergy Singers, Princeton Univ. 4/13/2004 ,pub. Carl Fischer
Music for the Same Sea, theatrical production, Paul Binnerts dir, first perf. mar 24,2004, Berlind Theater, Princeton NJ
Post-Pastoral, Handel Remix, for Canteloupe Records CA21020, 2003, GrimTim Music. Recording: Canteloupe Records
In the Moment, 8-channels, choreography (and performance by Mark Haim), GrimTim Music 2002.
Follow Me, for electric guitar quartet (2002, rev. 2006), pub. Carl Fischer.
Alphabet Book: ABC,Countdown, Alphanumeric Song, Interesting Numbers, Pattern's Patterns, A is for..., Say That Again, As Things Were, Um, Folk Song, GrimTim Music, 2001 , Bridge Records 9126
Labyrinth, 8-channel tape, 2-channel tape, GrimTim Music, 2000
Ride,computer, 8-channel tapeGrimTim Music, 2000 , recording Bridge Records
Odd Moments,flute, clar, vln, vcl, piano , written for Da Capo Players, pub. Carl Fischer, 1999
Idle Chatter Junior, computer processed speech, GrimTim Music, 1999 , recording Bridge Records
Three Moves for Marimba, G. Schirmer, 1998, recording, Nancy Zeltsman, See Ya Thursday, Equilibrium 29. (score most easily purchased from Steve Weiss Music)
Heavy Set,Computer processed piano,strings, GrimTim Music, 1998, recording: Bridge Records
Semi-Suite,for classical guitar, Editions New Rochelle , 1998, recording: Bridge Records
Now That You Mention It,Computer processed piano,strings, GrimTim Music, 1997, recording: Conversation Pieces, Bridge Records 9083, 1998
Shadows,Computer processed piano,voices,strings, GrimTim Music, 1997, recording: Conversation Pieces, Bridge Records 9083, 1998
For the Moment,Computer processed piano, GrimTim Music, 1997, recording: Conversation Pieces, Bridge Records 9083, 1998
Honorable Mention,Computer processed piano, GrimTim Music, 1997
Andalusia,Computer processed piano and voice, GrimTim Music, 1997, recording: Conversation Pieces, Bridge Records 9083, 1998
Crooked Courante,Solo guitar, GrimTim Music, 1997, recording: David Starobin, Newdance, Bridge Records 9084, 1998
Chords,Computer generated tape, GrimTim Music, 1997, recording: Conversation Pieces, Bridge Records 9083, 1998
Dancetracks: Dark Remix,Steve Mackey, Guitar, tape, GrimTim Music, 1997 , Recording: Bridge Records
Same Scene, Nine Years Later, computer-processed speech, GrimTim Music, 1997, recording: Conversation Pieces, Bridge Records9083, 1998
Looking Back, for tape, for the 60th Anniversary of the High School of Music and Art.1996,GrimTim Music, recording: Bridge Records
Things She Carried, A computer opera. Text by Paul Lansky, Hannah Mackay, music by Paul Lansky, reader Hannah Mackay, 1995-96, GrimTim Music., CD Bridge Records 9076
Six Years Ago, Monday, for Marimba, Violin, Tape (1996), pub Carl Fischer.
Dancetracks, for an Improvising Guitarist (computer synthesized tape, electric guitar) 1994, GrimTim Music, First performance, Tim Brady, London, Feb 18, 1995.. Recording: Steve Mackey, Bridge Records
Still Time, (computer synthesized tape) (1994). GrimTim Music, recording:CRI CD 683. (New World Records)
Hop, Marimba and Violin, (1993) publisher: Schirmers,(via Steve Weiss Music) recording:BMG/Catalyst 62667-2, First performance, Marimolin Ensemble Huddersfield Festival, Huddersfield, England, Nov. 25.
Memory Pages, (computer synthesized tape), Readers Paul Lansky, Hannah Mackay. GrimTim Music. 1993, , recording:Bridge Records, 9050CD.
AshGrove, (computer folk song setting) (1993), GrimTim Music. recording: Bridge Records
Word Color, (computer synthesized tape, Hannah Mackay, reader), (1992) GrimTim Music, recording:Bridge Records, 9050CD
Three Campion Choruses, (SATB), (1992), GrimTim Music, First performance, Nemo Festival, Kantilena Koret, John Frandsen, dir., Nemo Festival, Aarhus, Denmark, Aug1, 1992.
Listening-In, (computer-synthesized-tape) (1991) 7 folk song settings, (1992) GrimTim Music, recording: Bridge Records
Now and Then (computer-synthesized tape) Hannah MacKay reader, (1991) GrimTim Music, recording:Bridge CD 9035 (1992)
Table's Clear (computer-synthesized tape) (1990) GrimTim Music, recording:Bridge CD 9035 (1992)
The Sound of Two Hands (computer-synthesized tape)(1990) GrimTim Music, excerpt published in Computer Music Journal, Vol 16, No. 1, Spring 1992, recording:Bridge CD 9035 (1992)
NightTraffic (computer-synthesized tape) (1990) Publisher: GrimTim Music, recording:Bridge CD 9035 (1992)
QuakerBridge (computer synthesized tape) (1990). Publisher: GrimTim Music, recording:Bridge CD 9035 (1992)
Late August (computer synthesized tape) (1989). Recording: New Albion Records 030CD. Publisher GrimTim Music.
Not So Heavy Metal (with Steve Mackey) (computer processed performance) (1989), Recording : New Albion Records 030CD. Publisher: GrimTim Music.
Talkshow (real-time performance system) (1989) First performance: Paul Lansky, Neil Rolnick, RPI, March 23, 1989. Publisher: GrimTim Music.
The Lesson (computer synthesized tape) (1989). Publisher GrimTim Music.,recording: Bridge Records, 9050CD
Smalltalk (computer synthesized tape) (1988) Recording: New Albion Records 030CD . Publisher GrimTim Music.
Notjustmoreidlechatter (computer synthesized tape), recorded on Tellus, the Audio Cassette Magazine, #22, False Phonemes (1988) recordings: Neuma CD, Bridge Records, 9050CD. Publisher: GrimTim Music,
Stroll (tape, piano, flute, cello, marimba) (1988) Publisher: Semar Editore, Rome. First Performance, Flederman Ensemble, Sydney Australia, June 24, 1988. Recording: Centaur Records
just_more_idle_chatter (computer synthesized tape) (1987) recording: Centaur CD CRC 2076. Publisher GrimTim Music, Bridge Records, 9050CD
Values of Time (tape, string quartet and wind quartet) 1987. First performace: Aspen Music Festival, 1987. Publisher: Semar Editore, Rome.
Wasting (with Brad Garton and Andrew Milburn) (computer-synthesized tape) (1985), recording : Centaur CD CRC 2076. Publisher GrimTim Music
Idle Chatter (computer synthesized tape) (1985) recording :Wergo Compact Disc 2010-50, Bridge Records, 9050CD.. Publisher GrimTim Music.
Guy's Harp (computer synthesized tape) (1984). Recording New Albion Records 030CD. Publisher: GrimTim Music.
As it grew dark (computer synthesized tape) (1983) recording Wergo 2031-2. Publisher GrimTim Music.
As If (String trio and Computer synthesized tape) (1981-82)First Performance: Speculum Musicae, Macmillan theater, 1983recording:Centaur CRC 2110
Folk-Images (computer-synthesized tape) (1980-81). Publisher GrimTim Music.recording: Bridge Records
Six Fantasies on a Poem by Thomas Campion (computer-synthesized tape) (1978-79)recording: CRI SD-456 (1982); also excerpted on sound sheet, Computer Music Journal, Vol. 4/4. Publisher: GrimTim Music. CRI CD 683 (1994).. recording: New World Records
Serenade (violin, viola, piano) (1978) first performance: Henry Martin, ICSM concert
Dance Suite (piano) (1977) publisher: Boelke-Bomart, Inc., Hillsdale, NY, (1978) 16 pp. first performance: Robert Miller, Columbia University
Crossworks (piano, flute, clarinet, violin, cello)publisher: Boelke-Bomart, Inc., Hillsdale, NY (1978) 27pp.recording: Boston Music Viva, Nonesuch H-71351 (1978)first performance: Da Capo Players, Carnegie Recital Hall
Fanfare (two French Horns) publisher: Perspectives of New Music, vol. 14/2, (1976) p.235
Artifice (on Ferdinand's Reflection) (Computer-synthesized tape) (1975-76). Publisher: GrimTim Music.
mild und leise (computer-synthesized tape) (1973)recording: Columbia-Odyssey Y34149 (1976). Publisher: GrimTim Music.
Affine Study (piano) (1972)
String Quartet #2 (1971, rev. 1977) publisher: Boelke-Bomart, Inc. Hillsdale, NY (1978) 21 pp.recording: Pro-Arte String Quartet, recording: CRI, SD-402 (1979) first performance: Pro Arte String Quartet, Univ. of Wisconsin at Madison
Modal Fantasy (piano) (1970) publisher: Columbia University Press, NY, (1975) 20 pp. recording: Robert Miller, CRI SD-342 (1975) First performance by Robert Miller, Columbia University
Piano Piece in Three Parts (1968), Publisher: Boelke-Bomart, Inc., Hillsdale, NY (1978) 12 pp. First performance: Robert Miller, Princeton Univ.
String Quartet #1 (1967) First performance: Composer's Quartet, Princeton 1967
Verse and Refrain for solo Flute (1966). First performance:
Princeton, 1966, John Heiss